Halla Williams is an ex-actor, ex-teacher of English, copyeditor and author.
She grew up in the small Somerset town of Nailsea and did a Drama degree at Exeter University. She toured as an actor for six years, discovering many wonderful places, but came back to live in Bristol, near where she grew up.
Bristol's live music scene is a particular joy for her and she sings in acoustic duo Telhalla and regularly at the 'famous' open mic at The Oxford pub in Totterdown. Her favourite local band is the Dusk Brothers.
As a fantasy reader, her favourites include Robin Hobb, Janny Wurts, Steven Erikson, Joe Abercrombie, Mercedes Lackey and Brandon Sanderson. She has a Facebook page and you can follow her on Twitter if you are interested in the writing/publishing process.
From concept to novel
These characters have been in my head for about 15 years. When I left English teaching in 2017, I had the time to get them to the page.
As soon as I started writing, the mysterious young woman, whose powers would be key to the series, threw a spanner in the works and decided she wasn’t going to waste her powerful voice by actually talking to anyone. That provided quite a challenge as I really enjoy dialogue!
But other characters decided the story wasn’t going to be just about her. Captain Tyril marched herself right into the centre of the story and former courtesan Gerna stole a crucial plotline.
And suddenly I was also writing from the point of view of four others: Crag, the retired soldier who finds the silver-haired young woman; the ageless mercenary captain, Westorr, who kidnaps her; his aide, the diffident Griff; and Bealian – bard, messenger and spy.
So it’s a multi-perspective novel set in a time of both political and magical upheaval. The question of who Ashari decides to be and what she can do is the arc of the whole series.
Book one really concerns the pressures Tyril faces and how she will deal with the various difficult positions she is put in, personally and professionally.
[very mild spoilers] Her father has a new ‘daughter’, her tact fails her at crucial moments, her freedom is taken away, her sanity is threatened and she has an uncomfortable new title to fulfil. [end of spoilers]
The whole story, from chapter three onward, evolves over only a few weeks and the plot-lines are closely tied together. Key events are shown from different perspectives.
I use flashbacks for crucial backstory so you really understand why some of them act the way they do. I hope it feels pacy and tightly-plotted, with characters that have depth and react to each other in interesting ways.
I’m what Brandon Sanderson calls a ‘discovery writer’. I’m starting on book two now because I just have to find out (and tell you) what happens next.
Visit my 'blog and updates' page for character teases and other news. Join the mailing list so you don't miss out on updates. Become a site member to leave comments (which I love).
Here's to more magic, machinations and memories in 2020.